 When Selznick fired the cinematographer Harry Stradling Sr. and  hired the great Gregg Toland to take over the photography of  Selznicks remake of the 1936 Swedish version of "Intermezzo", he  asked Toland how it was possible that Bergman looked so beautiful in  the original European production and so ghastly in his Hollywood  version. Toland replied, "In Sweden they dont make her wear all  that makeup." Selznick immediately ordered retakes with the "natural  look" which so dazzled the world a year later when he loaned her out  to Warner Bros. for their production "Casablanca".