 Shooting in the Spring in coastal Savannah, GA made rain a constant  problem for the production. Many times scenes had to be changed,  moved, or cut due to inclement weather. The worst downpour occurred  during the shoot at Suzys apartment, and the grip and electric crew  labored for hours in the chilly, wet weather to prepare the lighting  for the fire stunt outside Suzys window. Though it was still  raining while the scene was shot, youd never know it was anything  but a bright sunny day, thanks to the skillful lighting of  cinematographer Aaron Wong and the hard work of the soggy crew.