editing of the film was left in the  hands of two men: Robert Wise (I) (qv), the physical editor, and  Jack Moss (I) (qv), the RKO studio representative. A phone was put  into Mosss office that fed directly to Welless hotel room in Rio.  According to future director Cy Endfield (qv), who was working  with Moss at the time, often when the phone rang, suspecting it was  Welles with his latest batch of comments and suggestions for the  re