production, while almost all location  shooting was completed due to the argument between the director and  production managers. The camera negative was ordered destroyed, and  all that survives today is about 30 minutes of rough cut, partly  synchronized, and a dozen production photographs. The screenplay was  rewritten for what has become Nikita Mikhalkovs "Raba Lubvi" (A  Slave of Love). Some costumes and designs were used as well.