 After Woody s Uncle Fergie has a mugging filled trip to Boston, Woody s father thinks that Boston too dangerous a place for his son and wants him to return back home to Indiana. The gang at the bar thinks that showing Woody s friends through the making of a home movie would settle Woody s father s concerns. The first attempt has Diane as writer, director and cinematographer. Her "cast" rebels at the unnatural for them dialog in Diane s script and they fire her; she then absolves herself from the project. The final product of the second attempt has Woody shown individually with each of his friends in each of their natural settings: Sam in his office, Carla at a backyard BBQ at her house with her rambunctious kids, Cliff on his postal route, Norm at the Hungry Heifer and Frasier at his psychiatrist s office. After viewing each agrees that they all come off as boobs, that is except for Diane, who sees this version as the start of something great, all it needing is a few Chambers touches. The third and final version has Diane s hands jazzing up the second version, complete with 1950s/1960s new wave touches such as nuclear explosions and Nazi soldiers. Although Diane is happy with this version, the rest of the gang isn t. Unfortunately she has already sent a copy to Mr. Boyd senior. The film did not do the trick. Just as Woody is ready to leave the bar and Boston for good, his father gives him a call and says that he can stay. What made him change his mind was an anonymous letter he received stating "let your son choose his own path and it will always lead back to you". But who sent the note?