 This cinema version of the Sam Shephard play is set well after the mid-century. James Woods as the alcoholic farmer drives a huge beater with a rusted roof which is emblematic of the general disrepair of his farm. A lovingly tended lamb with maggots is the reverse emblem of something helpless, needy and cared for. The refrigerator is spoken to as a character, as if standing in for absent nurturing from Woods  self-centered wife. The couple have two kids who must come of age as their home is being torn apart around them and the parents pursue fantasies of "better things" offered by crook Randy Quaid. Henry Thomas as the son copes by holding on to the land and creating a poetic commentary, and the responses of his sister to the crisis become a powerful and surprising tribute to womanhood.