 35J is a brief study of two complementary modes of eroticism: voyeurism and exhibitionism. Excerpted from Marc Masciandaro s feature-length script of the same title, the film opens on a silhouetted man in a window smoking a cigar. Slowly the reflection of an onlooker appears on a closer window. The new image superimposes on the old, lingers, and recedes, leaving behind only the original image of the cigar smoker. From here, this short neo-noir tale follows a young socialite who stumbles across a key hidden under a doormat and, giving in to curiosity, enters apartment 35J, which, unbeknownst to him, belongs to the onlooker from the opening scene. Thus the onlooker, immersed in his own voyeuristic acts, unknowingly becomes the object of another voyeur.