 Phillip Semenko has got Diane to pose for him. He is having troubles with the painting, not knowing why, but he comes to the conclusion that Diane has lost the anguish that was making the expression of the portrait so brilliant. In their discussing Sam, Diane confesses that their relationship is a troubled one, where they are two opposites, and she gets the feeling that Sam often likes to hurt her, which Sam had admitted to others in the past. That discussion was enough to bring back her anguish, and Phillip can finish the painting. Diane loves it and thinks that Sam will as well. Phillip s take is a bit different however and tells Diane that Sam will not be able to get over the fact that she went behind his back and the painting will be the impetus for the last time Sam and Diane will ever see each other. Meanwhile Sam has another portrait painted of Diane - he thinks it s great, but the laughter from everyone in the bar makes him realize it truly is awful. Diane brings Semenko s painting to the bar to show Sam. Luckily the bar is empty and they can be alone during this crucial time. Sam is upset that Diane went behind his back. They argue about the painting, which leads to a deeper discussion about the dynamic of their relationship, where Diane patronizes Sam, and Sam acts like a child. The argument goes into name calling, and some threats of and actual physical acts. Ultimately, Sam kicks Diane out, and Diane walks out, each vowing this time it s forever. Diane walks out. Just as she does, both she and Sam do a double take, but both don t act on it. With Diane now gone forever, Sam, in an emotional state, takes a look at the painting and incredulously says "wow".